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They are even fitter than you imagine Working with the equivalent of a rhinestone-studded ostrich on your head requires imposing strength and balance, and this is done in costumes the weight of Kevlar vests. And he had a sharp eye for women. Sinatra had garnered his Oscar the previous March. Whether or not it could be argued that Donn Arden was already doing that at the Desert Inn, it was clear the showgirl revue was to become the centerpiece of the class shows, and that the competition for the best showgirls was to become part of the marketing of Las Vegas. View all Frank Sinatra images.

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The drawings exhibited here illustrate the shows and productions that epitomize Las Vegas. And he had a sharp eye for women. Bluebell, nicknamed as a child for her eyes, was Margaret Kelly, an Irish orphan and classically trained former nightclub dancer who had shared the Paris nightclub stage with Maurice Chavalier, Mistinguett, and Josephine Baker. Already associated with Moe Dalitz and the Desert Inn, Arden was a natural to mount the first full-scale French show in Las Vegas, complete with the original French costumes and dancers who were, in fact, English. The series of photographs taken during the rehearsals of the show represent Sinatra the showman, Sinatra the professional, the crooner who worked hard at his trade and his art, of which he was the undisputed master. The Paris stage was a multidimensional gallery for the art avant-garde in set and costume design and music. Some viewers may find the inclusion of this material objectionable, but it is presented purely as an artistic representation in the context of documenting stage productions.

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View all Bob Mackie Images. View all Costume Drawings. Visually, the New York chorus line owed its extravagant stage effect to Florenz Ziegfeld. Unlike Donn Arden, Entratter was not terribly interested in dancing. Las Vegas has, in a sense, lived up to its self-promotion as the entertainment capital of the world. Minsky has carved another niche.

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Description: Sinatra was once again hot property. And he brought with him from New York his Copa Girl theme, which outdid the chorus lines at the other hotels. Peter Michel provided a narrative structure for the website and contributed text and scholarly content for the each of the subject pages. Inside, Stern developed and refined the interior labyrinth of the self-contained resort micro-city with craftily designed and interconnected casinos, restaurants, and shops, and the enormous showrooms and theaters that Las Vegas headliners and burlesque extravaganzas now required. Working with the equivalent of a rhinestone-studded ostrich on your head requires imposing strength and balance, and this is done in costumes the weight of Kevlar vests. Donn Arden started in his trade as a dancer in St. Lesser known designers like Josephine Spinedi, who designed for Harold Minsky and Matt Gregory, brought new styles within the context of the traditional showgirl. And it was the creator of this type of Americanized nightclub revue who was hired to create the big show at the Lido in Paris, bringing this theatrical thread full circle. The original Stardust showroom was completely redesigned, expanded, and equipped with three elevators, 60 fly loft lines, and the orchestra pit off to the side, to provide the stage effects Arden had used in Paris. Using his show business connections built up over the 12 years he was booking talent at the Copacabana, Entratter was able to single-handedly make Las Vegas a major venue on the nightclub circuit.
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